Kazakhstan is taking part in the prestigious international art event, the 61st Venice Biennale. With the support of the Kazakh Ministry of Culture and Information, the country has presented its national pavilion featuring the exhibition project «Qoñyr: The Archive of Silence». The project reflects the festival’s central theme, «In Minor Keys». In Kazakh philosophy, qoñyr – brown – signifies far more than just a color. Its metaphorical meaning explores themes of memory, cultural continuity, and the inner resonance of history through the language of contemporary art. Ten Kazakh artists, led by curator Syrlybek Bekbota, reinterpret this concept through their works.
«This painting by Ardak Mukanova, «Qoñyr Aulie», goes beyond depicting a sacred place. It conveys our historical experience - the experience of the nomads. Through legends and the imagery of sacred sites, we return to our origins. It is a reinterpretation and kind of a process of rebirth. In this way, the sacredness of these spiritual places connects us with the past and allows for renewal. This forms the central narrative of the piece,» Bekbota said.
The immersive exhibition draws visitors into the atmosphere of the steppe through acoustic effects, video installations, and physical objects displayed throughout the halls. These include monumental horse figures, the sound of kui songs, and the scent of steppe grasses. Participation in this prestigious forum allows Kazakhstan to integrate its cultural heritage into the global cultural dialogue, presenting a synthesis of traditional and contemporary artistic practices. The vivid works of Kazakh artists can be seen by any visitor to the Biennale from May 9 to November 22.
Visitors share their impressions:
«We saw how Kazakh art possesses a remarkable ability to seamlessly intertwine the material and the spiritual, and natural elements with profound philosophical reflection. For me, Kazakhstan is a country where such beauty can truly be found. The presented artworks bring together the country’s culture, history, traditions, and contemporary art. Through unique artistic imagery and materials, they reveal a deep love for the native land.»
«Another place not to miss is the Kazakhstan pavilion. As you can see the art and the culture speak to the soul and identity of the people. You have an impressive installation in felt. And I think material brings about the two elements that I just spoke about – tangible and intangible heritage.»
«I just visited the
pavilion of Kazakhstan here in Venice. It was an incredible experience. I
really loved
the space and the contrast with the artworks. The beautiful installation in the
centre of the space is really amazing, and I have seen all the space in the top
of the area. And I love the video art.»
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